<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
<channel>
  <title>Harada Masayuki Studio</title>
  <link>https://haradamasayuki.com/</link>
  <description>Art, projects, and creative worlds from Harada Masayuki</description>
  <language>en</language>
  <lastBuildDate>Thu, 22 Oct 2026 08:05:53 GMT</lastBuildDate>
  <atom:link href="https://haradamasayuki.com/feed.xml" rel="self" type="application/rss+xml"/>
  <item>
    <title>No Lane, No Problem: Five Projects That Prove Harada Masayuki Was Never Meant to Specialize</title>
    <link>https://haradamasayuki.com/five-projects-no-lane/</link>
    <guid isPermaLink="true">https://haradamasayuki.com/five-projects-no-lane/</guid>
    <description>Illustration one month, product design the next, mixed media installation after that — the studio&#039;s portfolio reads like five different careers stitched together. We break down five defining projects and make the case that range, not niche, is the smartest career strategy an American artist can adopt right now.</description>
    <author>Harada Masayuki Studio</author>
    <category>Projects</category>
    <pubDate>Thu, 22 Oct 2026 08:05:53 GMT</pubDate>
  </item>
  <item>
    <title>From the Yamanote Line to the Drawing Table: The Quiet Journey of One Harada Masayuki Piece</title>
    <link>https://haradamasayuki.com/yamanote-line-to-drawing-table/</link>
    <guid isPermaLink="true">https://haradamasayuki.com/yamanote-line-to-drawing-table/</guid>
    <description>Every finished artwork in the studio starts somewhere unglamorous — usually a crowded train car at 7:40 a.m. We trace one piece from a two-minute pencil scribble to a gallery-ready work, and unpack what American artists can borrow from a practice built on paying attention.</description>
    <author>Harada Masayuki Studio</author>
    <category>Creative Process</category>
    <pubDate>Thu, 22 Oct 2026 08:05:53 GMT</pubDate>
  </item>
</channel>
</rss>